The new EP is up at Bandcamp so you can pay me gobs of money for doing what I love.
Recordings
148 posts
Low-rent drum & bass for the weekend.
Mostly because I haven’t done anything in a while.
Revisiting an older track that sounded a bit claustrophobic in retrospect.
Not sure if this should be shorter or longer, but here we are. The title is from one of my favorite Merwin poems.
Named for soft rain and written when I was in a much better mood than it sounds.
Pushing through a bit of a drought while I figure out what to do next.
A bit busier than usual.
An attempt to capture swelter and heat shimmer.
New track for the week.
A quick single with the Deluge and a 606. Since it sounds retro and I stink at naming things, I went with nonsense 1980s titles.
The new EP is up at Bandcamp. It took longer than usual, but a few happy accidents fell into place, and here we are.
Slow and steady.
“You measured and cut so all the maps fit together. You laughed and forgot, and teased and remembered, and you grew so big you defined the entire world.”
–An Explorer’s Cartography of Already Settled Lands, by Fran Wilde
An EP of remastered ambient tracks, performed on the bass guitar with post-procecessing.
Not really inspired by the Jupier/Saturn conjunction but written during the time. I haven’t done anything in 5/4 for a while, so here you go.
Getting a few more tracks in before the holidays.
It’s always fun getting 7/8 to work.
Dust and scratches.
Oddly enough, Facebook tagged this for “misinformation.” I suppose it has something to do with the title.
Not really about the Bluffs. Not really inspired by the Bluffs. I just had the picture laying around, but OK.
Mostly a hodgepodge of leftover patches looking for structure.
Written and performed entirely on the Synthstrom Deluge.
Percussion samples by Iain Edye, who recorded them by banging on a combine harvester. The track can be downloaded here.
For bowed xylophone and piano, with a patch from the Boards of Deluge program.
An exercise in compression and ambiguity.
I was challenged to write a “straight-up banger.” I’m not sure I understand that description, but I hope this fits.
Rainy day quarantine music.
A quick sketch for bass guitar and sequencer.
