Rush

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Rush: Clockwork Angels

Clockwork Angels

They’re back. And it’s about time.

Rush has been in a holding pattern for the last few records. They’ve had their moments, sure, but little of their recent output has been all that engaging. Thankfully, that isn’t the case here. This is easily their best work since Presto, and it’s a welcome return to form.

Everything about the record is confident and self-assured. Much has been said of the lyrics, which follow an underlying narrative, but this isn’t side one of 2112. Neil Peart’s lyrics are much more down-to-earth than they were in the halcyon days of the late 1970’s. In fact, he’s laid aside most of his pretensions, and if I hadn’t read the pre-release hype, I’d have been unaware this was a concept album.

Attention All Planets of the Solar Federation

If you recognize that quote, you’re a Rush geek like me.  If not, I really can’t help you.

There may be no other band in popular music that has so sharply illuminated the divide between critics and normal folks.  On one hand, cool guys like Robert Christgau and JD Constantine despise them.  On the other, they’ve sold 40 million records and they continue to fill arenas worldwide.

If it were my career, I’d take the opinion of millions of loyal fans over some guy who gets paid to write witty boilerplate any time.  I’ve always wondered how the guys in Rush felt about all this, and now we’ve got the answer.

Beyond the Lighted Stage is a documentary produced by the same guys who did last year’s great Iron Maiden film.  For a band that’s been around for nearly four decades, it’s well past time we got something like this.

And fortunately, it’s marvelously done.